Jack Miles has been composing music for over ten years. In 2018, he was awarded a Master’s degree with Distinction in Musical Theatre Writing from Goldsmiths College, University of London. Current projects include: St. Anne Comes Home, Adeline and The Problem with Fletcher Mott.​ St. Anne Comes Home received its debut as part of Iris Theatre’s Summer Season in 2020. This folk musical about community, friendship and compassion played sold-out performances outdoors in the garden of The Actor’s Church. Produced by Willow Walk Productions, it will return in 2021.​ The Problem with Fletcher Mott, a funk-pop musical about a struggling playwright, was composed as part of his Master’s degree. The show received a sold-out independent production in 2019, and is currently in further development.​ Adeline explores the struggle to find true happiness in the age of millennial burnout, and uses a light jazz score. It will premiere at Venue 45 at the Edinburgh Fringe 2021, in a two-week run produced by Taxi Man Productions. Alongside composing, Jack is a keen educator, and has worked with students at the Institute of Contemporary Music Performance (ICMP) and Central School of Speech and Drama (CSSD) as a Musical Director and Guest Composer respectively.​ Jack co-writes for the space western comedy fiction podcast The Kingfisher Chronicles. He also plays bass for singer-songwriter Matt MacGregor, as well as being a BBC Introducing-featured singer-songwriter himself. He adores the creative work of Stephen Sondheim, Rik Mayall, and the Coen Brothers.

Martha Geelan studied BA Drama at the University of East Anglia from 2012-2015. I loved it. I did my dissertation in scriptwriting and graduated having directed as many plays as I could possibly squeeze in (including a couple at the Edinburgh Fringe..!). I entered the world of assistant, and then associate directing, as soon as I got back to London. And once I landed my first job at the Menier Chocolate Factory, (assistant director on She Loves Me), the fun really started. I met Trevor Nunn there and I went on to work as his Associate on four more shows. Our latest project is a new Stiles and Drewe musical, produced by Kenny Wax, called Identical (based on The Parent Trap), where I’m also the Children’s Director. In 2019 our production of Fiddler on the Roof transferred to the West End and won an Olivier for Best Musical Revival. I direct my own shows, too. Most recently, I directed a socially-distanced outdoor run of new folk musical, St Anne Comes Home (we sold out and so we’re back for another run in April!). I am also a writer. Mainly a book-writer for musicals, but I also write fiction and poetry for fun. I love text. And because of that, I’m also a dramaturg. A what?? Basically, I help writers. With whatever they need help with. With their ideas. With what they want to say and how they’re going to say it. I love the creative conversations I get to have with some of the most exciting minds in new work. I also work with young people. Of all ages. I’m an Associate Artist at the Young Shakespeare Company. I deliver storytelling workshops to children all round the country. And I direct professional productions with amazingly talented actors who go and perform in their schools. I’ve taught at drama schools, I’ve done outreach projects for shows, and I’ve run auditions for young performers in London, Nottingham and Bath. I provide 1-1 private drama sessions, too, and I teach online courses for Role Models. My teaching extends to adults too, to professionals. I offer 1-1 sessions with performers (online these days) who want to hone their acting skills, or want to smash a big audition, or who are off to drama school and would like some help. I teach acting at musical theatre graduate programme, London Theatre Runway. My classes are designed to both build the confidence of performers who feel that acting isn’t their strong suit and to push and challenge those who want and need it. Basically, I like working with people. And getting the best out of people. And all my work comes down to that.

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